„Carpe Diem” is a cycle of seven black and white triptychs. Each of them was created on a particular day of the week and signed with the protagonist’s name. The continuity of the photograph dates indicates that all the presented situations took place during one week. The middle image in each of the triptychs is a portrait of a naked woman who looks straight into the camera – the two remaining ones depict fragments of a flat. In the last triptych, both the figure and the interior are blurred; moreover, the name of the woman remains secret. The exhibition of the photographs is accompanied by an installation in the form of a bed with crumpled bedding onto which a film is projected: „dreamy”, undulating images of the protagonists of the project. Thanks to the installation, the viewer realises that it is an illustration of a man’s intimate relationships with women during one week. The project aims at presenting a specific relationship between a man and a woman. I do not assess or make suggestions – the viewer is free to interpret the images in their own way. Through showing the women’s rooms I mean to make their characters more familiar, as well as add depth to these apparently superfluous relationships.